Aja: The Eight-Minute Monument to Jazz-Rock Fusion
Unpacking the mythology and reality of the title track: Steve Gadd's legendary drums, Wayne Shorter's soprano sax, and the surgical editing that made perfection possible.
Unpacking the mythology and reality of the title track: Steve Gadd's legendary drums, Wayne Shorter's soprano sax, and the surgical editing that made perfection possible.
How the first track of Aja establishes the sonic template for perfection: Victor Feldman's Rhodes, Bernard Purdie's pocket, and a narrator who's had enough.
Why wanting to be a loser is the most subversive statement on Aja, featuring Pete Christlieb's iconic tenor sax and the art of dignified surrender.
How Bernard Purdie's legendary groove meets Odyssean longing in Steely Dan's meditation on restless return—a song about arrival that never quite settles.
How Steely Dan's shortest and most conventional song on Aja demonstrates that perfectionism serves groove as much as grandeur.
How Steely Dan's uptempo finale transforms the album's perfectionism into pure joy—featuring Chuck Rainey's irrepressible bass and the art of the triumphant exit.
The legendary story of how Jay Graydon succeeded where six others failed, and why twenty seconds of guitar became the ultimate symbol of Steely Dan's perfectionism.
A deep dive into every song on Steely Dan's 1977 masterpiece and the obsession behind it